This Tone 4 (1) Gloria Patri is taken from Palestrina's Tone 4 Magnificat for SSAA voices first noted in Codex 59 from the Lateran Basilica (2nd half of the 16th c.) and then found in the Urtext Edition Breitkopf & Hartel, 1885. Thanks to Joachim Kelecom (www.cpdl.org) for his posting.
This Gloria Patri is designed to pair with Tone 4 or Tone 1 Communio's or Office Magnifcats where plainchant is used. The Gloria Patri is traditionally sung before the final repetition of Antiphon.
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